Food & Wine Pros

The effect of temperature on food and wine pairing
Does the temperature at which you serve a dish affect the wine pairing? Matt Walls investigates: (This article was first published in 2012)
Ice cold plate of curry, anyone? How about a nice hot trifle? No. Didn’t think so. We all know that the serving temperature of food has a big impact on the enjoyment of the dish. As foods become hotter, their texture often changes; liquids become thinner, solids soften or melt. Additionally, as they heat up, foods release volatile (i.e. easy to evaporate) molecules more readily, which affects their aroma. So a plate of food served at a different temperature becomes in effect a different dish. And a different dish might require a different wine match.
Last week I went to an ambitious tasting organised by Champagnes Mumm and Perrier-Jouët to investigate this often neglected dimension in food and wine matching. It was led by Peter Barham, Honorary Professor of Molecular Gastronomy at Copenhagen University (his day job is Professor of Physics at Bristol University). He explained that it isn’t just the aroma and texture of foods that can be manipulated by temperature; our sense of taste can also be affected.
Cool a food or drink down, and any sensation of bitterness and sweetness will be reduced. Ice cream mix tastes overwhelmingly sweet before being churned and frozen; once it is set, it tastes less so. Warm up a can of cheap lager and it will begin to taste overpoweringly bitter. Surprisingly though, when it comes to our sense of taste, it is not the temperature of the food that is making the difference – it is the temperature of your tongue.
To demonstrate this, we were given two pots of identical foie gras parfait with sweet peach jelly. All the dishes throughout the tasting were designed to match specific Champagnes by Jonray and Peter Sanchez-Iglesias, owners of the Michelin-starred Casamia restaurant in Bristol. This pairing was to complement a glass of sweet Champagne – G.H. Mumm Demi-Sec NV. The pots were served at the same temperature, but with two sets of cutlery: one hot and one cold. When using the cold cutlery, the dish and the wine did seem to taste less sweet than when using the hot cutlery – the cold spoon did seem to numb my tongue to the sweetness of the dish.
Then we tried a dish of prawn consommé, sweet corn puree and toasted pine nut. This was well paired with a glass of G.H. Mumm Cordon Rouge NV. We were given two versions of the dish; one cold, one hot. The dish itself was more successful hot; the texture was smoother, more balanced and the flavours more integrated.
Did it match the Champagne better? Due to the heat, the flavour of the dish was a touch more pronounced, and this may have helped meet the intensity of flavour of the Champagne. But as the Champagne gradually warmed in the glass, and the dish cooled down, this fleeting impression diminished.
Lastly, we were presented with two toasted brioche sandwiches of Tunworth cheese with marmite butter and a glass of G.H. Mumm Cuvée R. Lalou 1999. One sandwich was at room temperature, one straight from the grill. This Champagne is rich, toasty and full-bodied, and it worked well with both versions of the sandwich, but particularly the hotter one; the melted cheese had richer, more farmyardy flavours which paired well with the truffle, hay and other mature characteristics in the wine, thanks to its eight years ageing on the lees. The smoother texture of the melted cheese also worked better with the Champagne than the firmer, more rubbery texture of the room-temperature Tunworth.
Technically speaking, this was a difficult tasting to pull off. With the temperatures of the food, wines and cutlery constantly pulling towards room temperature, timing was all important. This element was hard for the kitchen and waiting staff to achieve with precision, even in this dedicated experimental tasting. But although this exact type of tasting is challenging to replicate, there are some more general insights that are useful to bear in mind.
Though there were disagreements in the room about which combinations of foods and wines worked the best, the temperature of the food (and indeed the mouth) does actually make for a subtly different dish.
One thing that many tasters did seem to agree on was that it was more often warmer dishes that made for better matches with Champagne; if you are throwing a party and intend on serving Champagne and canapés, instead of the more typical cold canapés, it would be well worth experimenting with warm ones instead.
The inclusion or omission of an ingredient in a dish will have a greater overall effect on any food and wine match, but considering temperature of serving can perhaps add a little fine-tuning to make a good match that little bit better.
Matt Walls is a contributing editor to Decanter magazine. His latest book is Wines of the Rhône and you can find him on Twitter @mattwallswine.
Jonray Sanchez sadly died in 2015 at the age of 32.
Vector by Zanna Pesnina at shutterstock.com

Is there a scientific basis for wine and food pairing?
I went to a really interesting seminar last week on matching champagne with food. It was based on the chemical compounds flavourist Danny Hodrien of F & F projects had identified in Mumm champagnes using gas chromatography, solid phase micro-extraction and mass spectrometry (No, I don’t know what they are either). Based on those findings Iain Graham, the executive chef at the Caprice had devised a range of canapes that incorporated the flavours rather than seeking to complement them
The technical side I found slightly difficult to follow - we were encouraged to sniff a series of phials on the table which contained the different compounds then taste the champagnes then try them with food. Given the session was packed out it all got a bit chaotic but it threw up some fascinating combinations which I’ve now had the chance to analyse in a bit more detail:
THE FOOD PAIRINGS:
G.H. Mumm de Cramant
Style: Blanc de Blancs
Flavour compounds: Ethyl-2-Methyl Butyrate (apple, tropical fruits), Ethyl Isobutyrate (fruity, light, strawberry, tropical fruits) and delta-Decalactone (creamy, butter, coconut, peach)
Match: seared Orkney scallop served with cauliflower cream on a taro crisp
My verdict: A terrific match for this champagne which accentuated its freshness though one which oddly didn’t mirror the highlighted tropical fruit flavours.
G.H. Mumm Cordon Rouge
Style: non-vintage
Flavour compounds: Dimethyl Sulphide (vegetable, crab, seafood, sweetcorn, tomato) Hexyl Acetate (pear, sweet, fruity) Caproic acid (sweaty, cheese-like, strawberry)
Match: steamed Atlantic prawns served with grilled corn.
My verdict: A match I suspect you wouldn’t have arrived at without the flavour analysis. Apparently grilling the corn was key - according to Iain it didn’t work as well with steamed corn. I found it slightly accentuated the dosage in the champagne though not unpleasantly
G.H. Mumm Rosé
Style: light, elegant, tasted of wild strawberries
Flavour compounds: Ethyl-2-Methyl Butyrate (apple, tropical fruits), Ethyl Isobutyrate (fruity, light, strawberry, tropical fruits)
Match: The shell fish and tropical fruit flavoured molecules of the ros were paired with yellow fin tuna sashimi and served with green mango and papaya salad seasoned with chilli, sugar and soy
My verdict: Another combination I wouldn’t have instinctively gone for but which worked very well. Interesting though that these components were also found in the Mumm de Cramant which I don’t think would have worked quite as well with the canap. Apparently Iain tried it with seared tuna but that didn’t work as well.
G.H. Mumm 2002
Style: mature vintage champagne
Flavour compounds: Diethyl Succinate (apple, tropical, star fruit, Cognac), Penyl Ethyl alcohol (rose, fermented, yeast, bread), Ethyl Crotonate (rum, sweet meat, pork, licorice) 2-Nonanone (blue cheese, yeast)
Match: Pork belly, dolcelatte and pain d‘epice: the yeasty, blue cheese and liquorice-like Mumm 2002 were paired with roasted pork belly served with macerated blue cheese and spiced bread crisp
My verdict: Like Iain I would never have put these ingredients together but they were surprisingly delicious. Would you serve them at a dinner party though, or, as a chef, in a restaurant? Can imagine them making a good burger . . .
G.H. Mumm R. Lalou 1998
Style: mature prestige cuve
Flavour compounds: Dimethyl Sulphide (vegetable, crab, seafood, sweetcorn, tomato), Furfural (almond, sweet macaroon), Furfuryl Alcohol (Sweet, grilled fish, Mushroom)
Match: Iain paired the R. Lalou’s mushroom and caramelised sugar flavours with roasted black cod served on crisp lotus with sweet miso marinade
My verdict: a bold but successful match which accentuated the richness of the champagne. (Can imagine it being good with something like lobster and vanilla too)
G.H. Mumm Demi-Sec
Style: off-dry
Flavour compounds: Ethyl-2-Methyl Butyrate (apple, tropical fruits), Ethyl Caprylate (cognac) Diethyl Succinate (apple, tropical, star fruit, Cognac), 5-Methyl-Furfural Caramel, sweet
Match: Apple and caramel millefeuille with cognac poached apple and crisp burnt sugar
My verdict: a stunning match. Interesting that there’s a scientific basis for the champagne cocktail!
Interestingly six molecules were found in all the champagnes: Ethyl Acetate which contains fruity, ethereal, sweet tastes and flavours, Isoamyl alcohol (fermented, whisky, harsh), Ethyl Caproate (pineapple and strawberry), Ethyl Lactate (rum), Ethly Caprylate (Cognac) and Ethyl Caprate (waxy fruity, apple, grape)
“There’s no one molecule that smells of ‘champagne’,” said Hodrien. “They are each like instruments in an orchestra. And orchestras containin the same instruments sound different depending on the music being played, or even the conductor”
A few thoughts:
- All the pairings worked which is unusual in an exercise of this kind though there was a bit of a ‘you could but why would you?’ aspect to a couple of the pairings such as the pork belly and blue cheese. A bit like Heston’s white chocolate and oyster pairing which was similarly scientifically based.
- Subjecting a wine to this kind of analysis certainly throws up combinations that you might not arrive it otherwise. And suggests that working with three or more flavours may be more successful than trying to match just one.
- It’s possible this exercise worked as well as it did because champagne - like beer - is a good carrier of flavour. I’ve found in the past that if you mimic the flavour of an ingredien with a still wine it tends to mask the flavour in the wine - like orange muscat with an orange-flavoured dessert.
- It still needs the skill of a chef. Not all the pairings Iain tried worked to start with.
- But even if you aren't a chef there are still some interesting ideas to take away - for example that rose champagne might match sashimi and a fruity salsa and that vintage champagne might be a good match for blue cheese.

Matching wine and charcuterie - an experiment
About the most daunting audience that anyone could face is a group of wine writers, especially if a number of those happen to specialise in food and wine matching so it was with some trepidation that I agreed to lead a tasting on wine and charcuterie in London on Monday night on the eve of the London International Wine Fair.
The subject had been suggested not by me but by fellow writer David Furer, who also writes for this site. At first I thought it was limited in scope but the more I considered it the more it appealed. Charcuterie is normally paired with very simple rustic wines, usually French but what if one attempted to match it with wines from outside France? Possibly even fine wines?
There was a precedent for that. I remember an unusual and highly successful pairing of Dom Perignon with jamon iberico which linked the umami taste of both the ham and the wine. Charcuterie is typically salty, often fatty providing a coating for the palate that allows the wine to shine. A sparkling wine breaks up that fat (in much the same way as a beer). Could other fine wines do the same?
Appropriately enough the tasting took place at Terroirs, the recently opened wine bar that has some of the best charcuterie in town. On our plates we had a Spanish ham, Jamon de Teruel, which was quite delicate in flavour (more like an Italian than a Spanish ham), some saucisson sec from the Pyrenees, some duck rillette and the formidable ‘terrine Terroirs’ which was lavishly seasoned with spices and garlic. Typically you would eat them together but would we find a wine that could handle them all?
Here are the wines we tried, why I chose them (although in a number of instances I asked the sponsoring body for a wine of a specific type and wasn’t sure what I was getting) and how they performed. Skip to the end if you simply want to read our conclusions:
Rosé Carte Noire 2008, Maitres Vignerons de St-Tropez
RRP: 9.99 Nicolas
I thought we should kick off with a southern French rosé as a ‘control’. This was darker in colour and more intensely flavoured than many Provençal rosés with some attractive ripe berry fruit on the palate and a long dry finish, nevertheless it struggled with the very punchy terrine. I liked it better than many of my fellow writers but then I spend a lot of time in the south of France. It ‘felt right’.
Assyrtiko Hatzidakis 2007
9-10 Caves de Pyrène, Waitrose
This wine was suggested by Doug Wregg of Caves de Pyrène who writes their highly diverting wine list. His recommendation for the wine: “Normally octopus but would work well (we think) with the fattiness of rillettes or a jambon persillé (like a supercharged Aligoté)” As it turned out it lacked the requisite freshness and zip - a younger vintage might have been better. (The usual Greek pairing, according to Greek wine-writer Ted Lelekas who was present, is seafood and shellfish)
2007 Riesling IDIG Grosses Gewaechs, Weingut Christmann, Pfalz
35 Charles Taylor
I wanted to include a dry German Riesling, Germany having many fine charcuterie products of its own (though probably rather more that are smoked). This was an exceptionally fine example - too fine, most thought for these particular charcuterie products, especially the terrine though the ham proved a particularly sympathetic foil. There was a suggestion that a wine with a touch more sweetness would have worked better. And, I would suggest, one with a few more years maturity. Worth pursuing this route though
Chapel Hill Verdelho 2007
Supplied by: Lindsay May on behalf of Wine Australia
RRP: 9.49 in independents including Planet of the Grapes, Ongar Wines Ltd, Australian Wines Online, Rehills of Jemond, Badmington Wines
Again I wanted to include something from Australia and thought a Verdelho would be an intriguing choice but the zesty limey character of this very attractive example didn’t work with anything but the duck rillettes (actually a fascinating combination). Better to stick to Thai and other south-east Asian influenced dishes. Australian food, in other words.
Lambrusco Reggiano Concerto
RRP: 8-10 Vinum, Everywine, Harrods, Booths
It seemed to me that an authentic red Lambrusco should be ideal for charcuterie - after all Emilia Romagna where it comes from has some wonderful pork products of its own. And for me it hit the spot perfectly. I loved its acidity, its dark bitter cherry fruit and its gentle effervescence but it’s obviously a ‘love it or hate it’ wine. Some didn’t take to it at all, another group agreed that it was one of the best all-rounders. It was particularly good with the rillettes, though some preferred the Marcillac below.
2006 Marcillac, Cuvee Lairis, Jean-Luc Matha
RRP: 9.99 Caves de Pyrène
I thought we should have a rustic French red of the type the French themselves would drink with charcuterie and thought a Marcillac from south-west France, a favourite wine of the Caves de Pyrène crew, would work well. It was actually the only wine that was positively affected by the charcuterie which rounded it out and enhanced its fruitiness. Most thought it performed pretty well overall - best with the saucisson and the rillettes.
Morgon, Côtes du Py, Beaujolais 2007 Domaine Jean Foillard
RRP: Around 16 a bottle from Caves de Pyrène, slurp.co.uk
I’ve always rated Beaujolais with charcuterie, but thought it would be interesting to have one from the band of ‘natural’ winemakers who eschew sulphur and filtration. Although Foillard is highly rated this was possibly not the best example from an unremarkable vintage - it was a bit funky and feral, so failed to completely engage with our troublesome terrine. Good with the saucisson though.
Isabel Estate Pinot Noir 2005
18.55 Berry Brothers & Rudd
I remember being very taken with the idea of a ‘Pigs and Pinot’ festival I read about so thought it would be interesting to see how a top notch New World Pinot Noir from New Zealand fared with our selection. Better than I anticipated was the answer, particularly with the terrine where its lusciously ripe fruit proved the perfect counterpoint to the spicing. It was also pretty good with the rillettes - less so with the saucisson and ham. Possibly a less classy Pinot would have done an equally good job?
Manzanilla La Gitana
RRP 8.49 at Tesco, Waitrose, Sainsbury, Majestic, Somerfield, Wine Rack, plus independents.
Further proof - if proof were needed - that sherry is one of the all time great food wines. This salty manzanilla sailed through the plate taking every component in its stride, just as it would a plate of tapas. I’m not sure a fino wouldn’t have been even better. Worth trying a dry amontillado or palo cortado too which would have probably worked marginally better with the terrine. Most attendees’ favourite overall.
El Grifo Canari Lanzarote 1997
I’d never come across this rare cream sherry-style wine from Lanzarote but happily Spanish specialist John Radford was in the audience to explain its origins. Most agreed it was quite wrong for the charcuterie (far too sweet) but we reckoned it would have been interesting with blue cheese or a crema catalana. (The website recommends it with good company!)
Conclusion
So what should you drink with charcuterie? Well, the manzanilla sherry got the majority vote as the best wine overall, followed closely by the Lambrusco and a little way behind by the Riesling though it was felt that the quality of the latter was diminished by the charcuterie selection.
If you’re a Francophile I reckon you’d probably be inclined to stick to the usual suspects, rustic and fruity reds having the edge on rosé and whites. The Marcillac was good, though I suspect a fruitier cru Beaujolais might have outclassed it (see the links below).
Individual matches that were singled out were individual pairings of the ham, rillettes and terrine with the Riesling, Marcillac with both the saucisson and rillettes, Morgon and saucisson, Verdelho and duck rillettes and the Isabel Estate Pinot Noir and terrine.
The duck rillettes proved particularly wine-friendly - worth considering serving on their own on crostini as a nibble with an aperitif. A flavourful pâté or terrine is probably also better served on its own, rather than as part of a selection if you particularly want the accompanying wine to shine (though take care if you add an accompanying relish or compote). It can also take a wine with a touch of sweetness.
The ones that got away
What else could we have fielded? Well a Champagne or a cava would have been interesting. Someone suggested a dry Chenin like a Savennières and I’d have quite liked to include an Italian red like a Valpolicella or a Teroldego. Plenty of food for thought, anyway.
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